Wednesday, November 26, 2008
Grant Wiley
lost souls. The powers that be destroy and murder just to further
their power over people like you and me. No matter who is pulling the
strings which remains a mystery, they are going to sip their martinis
and laugh at the disease that they have helped create. The only choice
we have is to rise above and passed the societal brainwash that they
teach. Each individual has been born with the right to stand up and
fight for the love that is implanted in our chests. The right to dig
deep and find that soul that no matter how little control we have over
the world, the change starts inside you and me. We are all destined
for immortality, just follow the light.
Eve Mendez-Fritze
Setting a Diana+ camera on the ground, I randomly clicked the shutter in search of the existence of the quiet spaces. Using the little plastic camera to record the fleeting seconds of silence, slow motion, and self awareness in relation to the metropolis; A post it note, a mid-week epiphany to the nine to fivers, the dreamers, every inhabitant rushing to get to one end of the island or another, to stop. Stop.
Manhattan isn't alive, the people in it are. The city is just a bed consumed with lovers.Matt Fricovsky
Artisticspecimen.com
The focus of my work is on the colors and illusions of movement, depth, and luminosity that are common to most of my work. It has been described as sci-fi abstracted, quasi-organic form. Important influences on my work are Boris Vallejo and H.R. Giger.
I do not try to communicate underlying messages, but rather wish the viewer to discover his/her own connection and interpretation of my work. There are no messages or hidden agendas. I usually don't set out knowing exactly what my work is going to look like, but am most comfortable watching where my hands take me - much like getting into a trance. It’s mostly just inspired by my imagination. I’m not interested in changing what art "means" or fitting into some kind of cultural or "style" category, but strive to follow my internal guidance, and my feelings. If other people end up liking my work, it's an added bonus. I’m not saying this is the best and only way to approach creation - it's just the way I work and produce best and I've discovered through my own experience that my work speaks most clearly when I let it speak on its own.
Sharon Harvey
Growing up in Bayonne New Jersey wasn’t the ideal environment for nature photography. It also doesn’t provide a good environment for a voice over talent, considering the heavy “Jerseyesque” dialect that surrounded my ears.
But despite being raised looking at chemical tanks and listening to “See ya”, and “How you doin”, I managed to see beyond the industrial barriers to the beautiful organic soul of my surroundings.
Caridad Rivera
Isaac & Gabriel Fortoul
Isaac & Gabriel Fortoul are exponents of today's underground art scene, emerging from the streets of urban America. These prolific brothers have collaborated on a wonderful sculpture they will be presenting for the Hudson County Art Slam.
Log onto their website for upcoming events and to take a peak at their extensive clothing line.
Monday, November 24, 2008
Christine Goodman
attempting to scribble on a piece of paper while my dad sketched for
hours on end. When I got older, we would wander around sculpture
gardens with a picnic basket and drawing pads, or set up a still life
scene to paint together in the basement. This was sacred time for me
and ultimately, it was about building a strong artistic bond with my
father. When I consider the work I'm creating now, I see the impact
those years have had. My artwork is always about connection. Whether
exploring my personal connection to the world, or the connections we
make (and fail to make) to one another as human beings, my work
reflects the bonds that bring us together -- and break us apart.
Thursday, November 20, 2008
Kristina Scheetz
www.kristinascheetz.com
Kristina Scheetz Rible is a local artist that has never shown her work in a Jersey City gallery. Although she spent most of her adult life moving around Brooklyn escaping the swing of the wrecking ball, she has now settled in Downtown Jersey City for over three years. She has a small studio in her apartment on Wayne Street and is currently working as a full time Art Teacher in a charter school in Westfield, NJ. Kristina has her studio art degree from Hunter College in NYC. She also holds degrees from NYU and most recently earned her masters degree in art education from Kean University in New Jersey. She is a sculptor, a painter, and a photographer. Her favorite medium is ceramics and her work in this area usually focuses on dark subjects, including a creepy puppet that chain smokes, barren trees, a human organ with eyelashes, and sewn together flesh-like clay.
Wednesday, November 19, 2008
Kosher Howey
Bora Chung
I don't really have a website but I have a blog that I just update from time to time. http://bunnicharm.blogspot.
Cristina Villaflor
grey.fotograff@gmail.com
Cristina Villaflor was born in Cebu City, Philippines and raised in Jersey City, NJ. While she studied fine art photography in NJCU, she was also the photo-editor for an award-winning college newspaper, The Gothic Times, where she won multiple awards in photojournalism. Her works has been featured in several magazines, on non-for profit organization publications and as promotions for music artists. She is currently a freelance photographer and resides in Jersey City with her two dogs.
Tuesday, November 18, 2008
MIKE JAEGER
WASE
I would like to dedicate my paintings to HERS…….
HANK YAGHOOTI
www.isitandthink.com
My work focuses on imagination ... my imagination is in the fantastic.
I work in many mediums but oil and acrylic painting are magnetic. I derive much of my influence from music, human behavior and other artists.
Lissanne Lake
and methodically melted them one by one on the radiator to
see the colors run. I have grown into more conventional mediums, but still kept my love of color.
Telling stories through paint has always been my way, I am an illustrator by nature. I have always been interested in photo-realism incorporating the themes of antiquity and paradox.
Most of my work utilizes representations of living figures, whether realistic or decorative, in combination with still life subjects. This is
in order to celebrate the juxtaposition of the transient and the eternal. Art is one of the few ways I feel we have to extend the brevity of the human lifespan, and potentially touch the future.
Monday, November 17, 2008
Judy Hazelgreen
Jeanne Brasile
Jeanne's Website
The oil paintings from this series, entitled "Shades of Meaning", reflect my interest in the visual nuance of color and the numerous lingual connotations that can attributed to each hue. By integrating stenciled words and a flat ground of saturated paint, I focus attention on the relationship between color and language, eliminating any pictorial context. In doing so I draw attention to the potency with which language and color influence our perceptions. Collectively viewed, these paintings examine the multiplicity of symbolic and vernacular language associated with a specific color. I began this series after meditating upon the color green, realizing that in the English language I could immediately associate ten words with this shade. This series has since grown to become an analysis of eleven different colors and over 50 words associated with them.